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Harold Pinter

Full Name: Harold Pinter
Gender: Male
Hometown: Hackney, London, England
Born: 1930-10-10
Died: 2008-12-24
Number of Works: 132
Harold Pinter, CH, CBE, was an English playwright, screenwriter, actor, director, political activist and poet. He was one of the most influential playwrights of modern times. In 2005 he was awarded the Nobel Prize for Literature.

After publishing poetry and acting in school plays as a teenager in London, Pinter began his professional theatrical career in 1951, touring throughout Ireland. From 1952, he acted in repertory companies throughout England for about a dozen years, using the stage name David Baron in the late 1950s. Beginning with his first play, The Room (1957), Pinter's writing career spanned over 50 years and produced 29 original stage plays, 27 screenplays, many dramatic sketches, radio and TV plays, poetry, one novel, short fiction, essays, speeches, and letters. His best-known plays include The Birthday Party (1957), The Caretaker (1959), The Homecoming (1964), and Betrayal (1978), each of which he adapted to film. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1970), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He directed almost 50 stage, television, and film productions and acted extensively in radio, stage, television, and film productions of his own and others' works. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role in a critically-acclaimed stage production of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006.

Pinter's dramas often involve strong conflicts among ambivalent characters who struggle for verbal and territorial dominance and for their own versions of the past. Stylistically, these works are marked by theatrical pauses and silences, comedic timing, irony, and menace. Thematically ambiguous, they raise complex issues of individual identity oppressed by social forces, language, and vicissitudes of memory. In 1981, Pinter stated that he was not inclined to write plays explicitly about political subjects; yet in the mid-1980s he began writing overtly political plays, reflecting his own heightening political interests and changes in his personal life. This "new direction" in his work and his left-wing political activism stimulated additional critical debate about Pinter's politics. Pinter, his work, and his politics have been the subject of voluminous critical commentary.

Pinter received numerous awards. In addition to the Nobel Prize, he received the Tony Award for Best Play in 1967 for The Homecoming. He was given BAFTA awards, the French Légion d'honneur and 20 honorary degrees. Festivals and symposia have been devoted to him and his work. In awarding the Nobel Prize, the Swedish Academy noted, "That he occupies a position as a modern classic is illustrated by his name entering the language as an adjective used to describe a particular atmosphere and environment in drama: 'Pinteresque'". He died from liver cancer on 24 December 2008. He was buried the following week at Kensal Green Cemetery in North West London.

ISBN: 0802151051, 9780802151056
Keywords: homecoming
Pages: 96
Published: 1965
  • Rating: 80%
ISBN: 0571160786, 9780571160785
Keywords: party, birthday
Pages: 96
Published: 1957
  • Rating: 80%

Stanley Webber is visited in his boarding-house by two strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare.
ISBN: 0571160824, 9780571160822
Keywords: betrayal
Pages: 144
Published: 1387
  • Rating: 80%

Betrayal is Pinter's latest full-length play since the enormous success of No Man's Land. The play begins in 1977, with a meeting between adulterous lovers, Emma and Jerry, two years after their affair has ended. During the nine scenes of the play, we move back in time, through the states of their affair, with the play ending in the house of Emma and Robert, her husband, who is Jerry's best friend. The classic dramatic scenario of the love triangle is manifest in a mediation on the themes of marital infidelity, duplicity, and self-deception. Pinter writes a world that simultaneously glorifies
ISBN: 2729847936, 9782729847937
Keywords: waiter, dumb
Pages: 64
Published: 1960
  • Rating: 80%
ISBN: 0822201844, 9780822201847
Keywords: caretaker
Pages: Unknown
Published: 1960
  • Rating: 80%
ISBN: 0802151140, 9780802151148
Keywords: room, party, birthday
Pages: 116
Published: 1961
  • Rating: 80%
ISBN: 0802150969, 9780802150967
Keywords: ache, slight, night, black, examination, waiter, dumb, vol, works, birthday, party, room, complete
Pages: 256
Published: 1976
  • Rating: 80%

Harold Pinter has long been acknowledged as one of the most influential playwrights in contemporary theatre; his arresting and original works have left a lasting imprint on the development of the stage and screen while delighting audiences around the world. This, the first of four volumes, contains his first five plays, including The Birthday Party (1958), his first full-length drama; as well as two short stories—The Black and White and The Examination—both written before Pinter turned to the theatre. Pinter's exacting and complex use of language and the features that mark his "
ISBN: 080215087X, 9780802150875
Keywords: waiter, dumb, caretaker
Pages: 121
Published: 1960
  • Rating: 80%
ISBN: 0571225632, 9780571225637
Keywords: times, old
Pages: 80
Published: 1971
  • Rating: 80%
ISBN: 0802132375, 9780802132376
Keywords: night, school, revue, sketches, lover, collection, works, vol, caretaker, dwarfs, complete
Pages: 249
Published: 1977
  • Rating: 80%

Along with Samuel Beckett and Eugene Ionesco, Harold Pinter holds an undisputed place in the front ranks of contemporary dramatists. In volume two of his collected works, the plays and revue sketches mark a period of transition, as Pinter's characters and settings become more recognizably realistic, in contrast to the absurdist atmosphere of his earlier work. The Caretaker, which first brought him fame on both sides of the Atlantic, was called "a play of strangely compelling beauty and passion" by Howard Taubman of The New York Times. An essay by Pinter, Writing for Myself, introduc