Sarah Thornton
Thornton has a BA in Art History and a PhD in Sociology. She writes about contemporary art for The Economist and contributes to many other publications and broadcasts (such as BBC TV and radio, ZDF television, and NPR radio).
A Canadian who came to Britain on a Commonwealth Scholarship, Thornton’s PhD was published by Polity Press as Club Cultures: Music, Media and Subcultural Capital. She co-edited the first edition of The Subcultures Reader.
Thornton was once a member of faculty at Sussex University where she ran the MA in Media Studies. For one long year, Thornton did undercover research as a brand planner in an advertising agency. Her plan was to write a book but she settled on publishing an article (see Critical Quarterly) and had two children instead.
Since 2003, Thornton has been investigating the social and cultural dynamics of contemporary art. Her book, Seven Days in the Art World, is based on extensive ethnographic research, including in-depth interviews with over 250 people and hundreds of hours of participant observation.
Thornton is a frequent guest speaker. She has contributed to a wide range of conference panels and conversations on stage. In the past year, Thornton has given talks at Cambridge and Oxford Universities (England), the Royal College of Art and Goldsmiths’ College (London), Bocconi University (Milan), UNAM (Mexico City), UCLA (Los Angeles), the Corcoran (Washington DC), the Art Gallery of Ontario (Toronto), and the Sydney Writers Festival, among others.
A Canadian who came to Britain on a Commonwealth Scholarship, Thornton’s PhD was published by Polity Press as Club Cultures: Music, Media and Subcultural Capital. She co-edited the first edition of The Subcultures Reader.
Thornton was once a member of faculty at Sussex University where she ran the MA in Media Studies. For one long year, Thornton did undercover research as a brand planner in an advertising agency. Her plan was to write a book but she settled on publishing an article (see Critical Quarterly) and had two children instead.
Since 2003, Thornton has been investigating the social and cultural dynamics of contemporary art. Her book, Seven Days in the Art World, is based on extensive ethnographic research, including in-depth interviews with over 250 people and hundreds of hours of participant observation.
Thornton is a frequent guest speaker. She has contributed to a wide range of conference panels and conversations on stage. In the past year, Thornton has given talks at Cambridge and Oxford Universities (England), the Royal College of Art and Goldsmiths’ College (London), Bocconi University (Milan), UNAM (Mexico City), UCLA (Los Angeles), the Corcoran (Washington DC), the Art Gallery of Ontario (Toronto), and the Sydney Writers Festival, among others.
ISBN: 0819562971, 9780819562975
Keywords: subcultural, capital, media, music, cultures, club
Pages: 191
Published: 1995
Keywords: subcultural, capital, media, music, cultures, club
Pages: 191
Published: 1995
Focusing on youth cultures that revolve around dance clubs and raves in Great Britain and the U.S., Sarah Thornton highlights the values of authenticity and hipness and explores the complex hierarchies that emerge within the domain of popular culture. She portrays club cultures as "taste cultures" brought together by micro-media like flyers and listings, transformed into self-conscious "subcultures" by such niche media as the music and style press, and sometimes recast as "movements" with the aid of such mass media as tabloid newspaper front pages. She also traces
ISBN: 9023435982, 9789023435983
Keywords: kunstwereld, van, schermen, achter, art
Pages: 302
Published: 2009
Keywords: kunstwereld, van, schermen, achter, art
Pages: 302
Published: 2009
ISBN: 8807711044, 9788807711046
Keywords: sette, giorni, arte, dell, del, mondo, giro
Pages: 222
Published: 2009
Keywords: sette, giorni, arte, dell, del, mondo, giro
Pages: 222
Published: 2009
Sete Dias no Mundo da Arte leva-o numa viagem pelo mundo e explica-lhe como funciona o universo da arte contemporânea, a sua economia, a sua organização e como está articulado em rede por algumas cidades mundiais. Com os valores do mercado da arte contemporânea a aumentarem exponencialmente de leilão para leilão, apesar da crise económica, o interesse por este mercado está a atrair mais público, principalmente novos investidores. Sendo um mundo "fechado" para alguns, este texto vem apresentar-lhe as várias vertentes deste universo e revelar-lhe o trabalho efectuado por dif







